Programme


Sat 25 Oct
11.00
by Yinka Esi Graves

Flamenco Workshop: The Rhythmic Body

Flamenco Workshop: The Rhythmic Body

Image for The Rhythmic Body — Flamenco Workshop

Through the flamenco style of bulería, this workshop draws on Yinka's extensive experience as a flamenco dancer and her more recent work with Embodiology, an improvisational practice from an Africanist lens developed by Dr. Ama S. Wray that shares fundamental values with flamenco. Both are based on the idea that dance and music are inseparable. In this workshop participants will be guided to awaken their expressive, receptive and communicative body through the exploration of rhythm, group work and composition. This work will help dancers already versed in the form to renew their commitment to their own creativity in flamenco, and will offer an accessible way for newcomers to approach the form.

Flamenco Workshop is open to intermediate, advanced and professional dancers, but need not have experience in flamenco.
For more information, please send an email to communication@ickamsterdam.nl with reference to Flamenco Workshop.

Date: Saturday, 25 October, 2025
Time: from 11:00 until 14:00
Price: €22,50

Location address: 
ICK Dans Amsterdam / Space for Dance Art
Rijnlandlaan 3
1062 MX Amsterdam (NL)

Image for Yinka Esi Graves
— Yinka Esi Graves

Yinka Esi Graves is a British flamenco dancer and choreographer based in Seville. In her work, she explores flamenco from an innovative perspective, integrating elements from the African diaspora and contemporary dance forms. She trained at the renowned Amor de Dios dance school in Madrid and has collaborated with leading flamenco artists such as La Lupi, Juana Amaya, and Andrés Marín. Yinka’s artistic practice centers on themes such as invisibility and erasure, approached from a Black perspective, and she continuously seeks to break open the flamenco form and connect it with other disciplines.

Her work has gained international recognition with performances such as Clay, a duet with Asha Thomas, and The Disappearing Act, a solo piece that was presented at the Avignon Festival and El Grec in Barcelona. She also developed a performative lecture, The Disappearing Act: On Erasure, which delves deeper into the idea of cultural erasure within the flamenco tradition. Yinka’s approach makes her particularly well-suited to lead a workshop that not only introduces participants to the physical language of flamenco but also invites them to explore its deeper cultural layers and the possibilities for personal and artistic expression within the form.